Marlon Brando on Rejecting his Oscar - The Godfather
Updated: May 28
Marlon talks more about his decision to reject the Oscar for his performance in The Godfather.
Date aired - 12th June 1973 - Marlon Brando
Dick Cavett has been nominated for eleven Emmy awards (the most recent in 2012 for the HBO special, Mel Brooks and Dick Cavett Together Again), and won three. Spanning five decades, Dick Cavett’s television career has defined excellence in the interview format. He started at ABC in 1968, and also enjoyed success on PBS, USA, and CNBC.
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The Unbelievable Story Of Why Marlon Brando Rejected His 1973 Oscar For 'The Godfather'
On March 5, 1973, Marlon Brando declined the Academy Award for Best Actor for his gut-wrenching performance as Vito Corleone in “The Godfather” — for a very unexpected reason.
The Movie That Brought Brando Back
In the 1960s, Brando’s career had slid into decline. His previous two movies — the famously over-budget “One-Eyed Jacks” and “Mutiny on the Bounty” — tanked at the box office. Critics said “Mutiny” marked the end of Hollywood’s golden age, and worse still, rumours of Brando’s unruly behaviour on set turned him into one of the least desirable actors to work with.
Brando’s career needed saving. “The Godfather” was his defibrillator.
In the epic portrayal of a 1940s New York Mafia family, Brando played the patriarch, the original Don. Though the film follows his son Michael (played by Al Pacino), Vito Corleone is its spine. A ruthless, violent criminal, he loves and protects the family by any means necessary. It’s the warmth of his humanity that makes him indestructible — a paradox shaped by Brando’s remarkable performance.
“The Godfather” grossed nearly $US135 million nationwide, and is heralded as one of the greatest films of all time. Pinned against pinnacles of the silver screen — Michael Caine, Laurence Olivier, and Peter O’Toole — Brando was favorited to win Best Actor.
Drama At The Awards Show
On the eve of the 45th Academy Awards, Brando announced that he would boycott the ceremony and send Sacheen Littlefeather in his place. A little-known actress, she was then-president of the National Native American Affirmative Image Committee.
On the evening of March 5, when Liv Ullman and Roger Moore read out the name of the Best Actor award recipient, neither presenter parted their lips in a smile. Their gaze fell on a woman in Apache dress, whose long, dark hair bobbed against her shoulders as she climbed the stairs.
Moore extended the award to Littlefeather, who waved it away with an open palm. She set a letter down on the podium, introduced herself, and said:
The crowd booed. Littlefeather looked down and said “excuse me.” Others in the audience began to clap, cheering her on. She continued only briefly, to “beg” that her appearance was not an intrusion and that they will “meet with love and generosity” in the future.
Watch the scene unfold:
Why He Did It
In 1973, Native Americans had “virtually no representation in the film industry and were primarily used as extras,” Native American studies scholar Dina Gilio-Whitaker writes. “Leading roles depicting Indians in several generations of Westerns were almost always given to white actors.”
But they weren’t just neglected or replaced in film; they were disrespected — a realisation that crippled Brando’s image of the industry.
The following day, The New York Times printed the entirety of his statement — which Littlefeather was unable to read in full because of “time restraints.” Brando expressed support for the American Indian Movement and referenced the ongoing situation at Wounded Knee, where a team of 200 Oglala Lakota activists had occupied a tiny South Dakota town the previous month and was currently under siege by U.S. military forces. He wrote:
A tsunami of criticism toppled over Brando and Littlefeather following the Oscars, from peers in the industry and the media.
Still, Brando lent the Native American community a once in a lifetime opportunity to raise awareness of their fight in front of 85 million viewers, leveraging an entertainment platform for political justice in unprecedented fashion.
His controversial rejection of the award (which no winner has repeated since) remains one of the most powerful moments in Oscar history.
Author: Melia Robinson